‫ﺑﺸﻜﻞ ﺳﺎﺣﻖ‪.‬‬ ‫ﺴﻬﻞ ﺃﺩﻭﺍﺕ ﺍﻟﺬﻛﺎﺀ ﺍﻻﺻﻄﻨﺎﻋﻲ ﺍﺭﺗﻜﺎﺏ ﺍﻻﻧﺘﻬﺎﻛﺎﺕ‪ ،‬ﺇﺫ ﺑﺈﻣﻜﺎﻥ ﺍﻟﻨﻤﺎﺫﺝ ﺍﻟﺘﻮﻟﻴﺪﻳﺔ ﺇﻧﺘﺎﺝ‪ 몭‬ﻗﺼﺺ ﺟﻨﺴﻴﺔ ّ‬ ‫ُ‬ ‫ﻭﺗ ّ‬ ‫ﻣﻠﻔﻘﺔ‪،‬‬ ‫ُﻣ َ‬ ‫ُﻣﱠ‬ ‫ﺨﺘﻠﻘﺔ ﺗﺒﺪﻭ‬ ‫ُﺗﺴﺘﺨﺪﻡ ﻟﻼﺑﺘﺰﺍﺯ‪ ،‬ﻭﻟﻘﻄﺎﺕ ﺷﺎﺷﺔ ﻣﺰﻳﻔﺔ ﺃﻭ ﻣﺤﺎﺩﺛﺎﺕ‬ ‫ﻮﻟﺪﺓ‬ ‫ﻭﺗﻬﺪﻳﺪﺍﺕ ﻣﺼﺎﻏﺔ ﺑﻠﻐﺔ ﻃﺒﻴﻌﻴﺔ‪ ،‬ﻭﺻﻮﺭ‬ ‫ﻭﺍﻗﻌﻴﺔ ً‬ ‫ﺗﻤﺎﻣ‪.몭‬‬ ‫ﺗﺴﻤﻴﻪ ﺍﻟﺒﺎﺣﺜﺔ ﺍﻟﻘﺎﻧﻮﻧﻴﺔ ﺭﺍﻧﺠﻴﺘﺎ ﺩﻱ ﺳﻴﻠﻔﺎ ﺩﻱ ﺃﻟﻮﻳﺲ ﰲ ﻭﺭﻗﺔ ﺑﺤﺜﻴﺔ ﻣﻨﺸﻮﺭﺓ ﻋﺎﻡ ‪ ،2024‬ﺑـ"ﺍﻟﻌﻨﻒ‬ ‫ﻫﺬﺍ ﻣﺎ ّ‬ ‫ً‬ ‫ﺍﻟﻤﱠ‬ ‫ﻌﺰ ﺯ ﺑﺎﻟﺬﻛﺎﺀ ﺍﻻﺻﻄﻨﺎﻋﻲ ﺃﺻﺒﺢ "ﺃﺣﺪﺙ ﺟﺒﻬﺔ ﰲ ﻗﻤﻊ ﺍﻟﻨﺴﺎﺀ ﻋﺒﺮ‬ ‫ﺍﻟﻤﺮﻗﻤﻦ"‪،‬‬ ‫ﻣﺸﻴﺮﺓ ﺇﱃ ﺃﻥ ﺍﻟﻌﻨﻒ ﺍﻟﺠﻨﺴﻲ ُ‬ ‫ُ‬ ‫ﺍﻹﻧﺘﺮﻧﺖ"‪.‬‬ ‫ﻣﺎﺫﺍ ﻋﻦ ﺍﻟﻌﺎ‪ 몭‬ﺍﻟﻌﺮﺑﻲ؟‬ ‫‪GETTY IMAGES‬‬ ‫ﺃﻥ ﻣﻌﻈﻢ ﻗﻀﺎﻳﺎ ﺍﻻﺑﺘﺰﺍﺯ ﺍﻹﻟﻜﺘﺮﻭﻧﻲ ﺿﺪ ﺍﻟﻨﺴﺎﺀ ﺗﻌﺘﻤﺪ ﻋﲆ ﺻﻮﺭ ﺟﻨﺴﻴﺔ‬ ‫ﰲ ﻣﺼﺮ‪ ،‬ﺗﺸﻴﺮ ﺑﻴﺎﻧﺎﺕ ﺍﻟﻨﻴﺎﺑﺔ ﺍﻟﻌﺎﻣﺔ ﻭﺗﻘﺎﺭﻳﺮ ﻣﻨﻈﻤﺎﺕ ﻣﺤﻠﻴﺔ ﺇﱃّ‬ ‫ّ‬ ‫ُﺗَ‬ ‫ﻨﺘﺞ ﻋﺒﺮ ﺗﻄﺒﻴﻘﺎﺕ ﻣﺘﺎﺣﺔ ﻋﲆ ﺍﻟﻬﻮﺍﺗﻒ ﺍﻟﺬﻛﻴﺔ‪.‬‬ ‫ﻣﺮﻛﺒﺔ‬ ‫ﻣﺆﺧﺮ‪ 몭‬ﺗﺮﻧﺪ ﺍﻟﺼﻮﺭ ﱠ‬ ‫ﻋﻨﺪﻣﺎ ﺍﻧﺘﺸﺮ ً‬ ‫ُﺗﻈﻬﺮ ﺍﻟﺸﺨﺺ ﻭﻫﻮ ﻳﺤﺘﻀﻦ ﻧﻔﺴﻪ ﺃﻭ ﻳﺤﺘﻀﻦ‬ ‫ﺍﳌﻮﻟﺪﺓ ﺑﺎﻟﺬﻛﺎﺀ ﺍﻻﺻﻄﻨﺎﻋﻲ ﺍﻟﺘﻲ‬ ‫ً‬ ‫ﺷﺨﺼ‪ 몭‬ﺁﺧﺮ‪ ،‬ﺗﺪﺍﻭﻟﺖ ﺻﻔﺤﺎﺕ ﻣﺼﺮﻳﺔ ّ‬ ‫ﻋﺪﺓ ﺻﻮﺭﺓ ّ‬ ‫ﱢﻔﺬ‬ ‫ُﻧ‬ ‫ﻣﺰﻳﻔﺔ ﻟﻠﻀﺤﻴﺔ ﻧﻴﺮﺓ ﺃﺷﺮﻑ ﻭﻫﻲ ﺑﻴﻦ ﺃﺣﻀﺎﻥ ﻗﺎﺗﻠﻬﺎ ﺍﻟﺬﻱ‬ ‫ﺒﻨﺎﻫﺎ ً‬ ‫َﺗّ‬ ‫ﺃﻳﻀ‪ 몭‬ﺑﻌﺾ ﺍﻟﺤﺴﺎﺑﺎﺕ ﺫﺍﺕ‬ ‫ﻣﻨﺼﺎﺕ ﺍﻟﺘﻮﺍﺻﻞ‪ ،‬ﻓﻴﻤﺎ‬ ‫ﺑﺤﻘﻪ ﺣﻜﻢ ﺍﻹﻋﺪﺍﻡ‪ .‬ﺃﺛﺎﺭﺕ ﺍﻟﺼﻮﺭﺓ ﻣﻮﺟﺔ ﻏﻀﺐ ﻋﲆ ّ‬ ‫"ﺳﻴﺌﺔ‬ ‫ﺍﻟﺨﻄﺎﺏ ﺍﳌﺤﺎﻓﻆ ﻭﺍﻟﺬﻛﻮﺭﻱ ﺍﻟﺘﻲ ﺩﺍﻓﻌﺖ ﻣﻨﺬ ﻭﻗﻮ ﻉ ﺍﻟﺠﺮﻳﻤﺔ ﻋﻦ ﺍﻟﻘﺎﺗﻞ ﻭﺃﻟﻘﺖ ﺍﻟﻠﻮﻡ ﻋﲆ ﺍﻟﻀﺤﻴﺔ ﺑﻮﺻﻔﻬﺎ ّ‬

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